Elves (1989)


As is the tradition, the final movie of 2022 put through the Trash or Treasure group watching was the Christmas-themed low-budget shonk-fest with the craziest premise that could be found. This time we were promised monster elves, Nazis, and some chap called Dan Haggerty. There was also the prospect of impressive hairdos, because it’s from the late 80s and that Ozone Layer wasn’t going to massacre itself.
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Attack Of The Lederhosen Zombies (2016)

I’m not going to pretend to have a vast knowledge of the Austrian horror movie scene and, until this film, I just assumed it existed rather than had proof it was there. So I was a bit surprised that writer-director Dominik Hartl made the first-ever Austrian zombie film, and decided to give it a try.
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Jack Frost 2: Revenge Of The Mutant Killer Snowman (2000)


Apparently, the title of this film was chosen as people kept on mistaking the original 1997 film by writer/director Michael Cooney for the 1998 Michael Keaton film also called Jack Frost. That was a touching romantic comedy, the one we’re interested in is a nonsense story about a killer snowman. Then again, both of the snowmen on the covers look sinister and I haven’t seen either of them so maybe they are as interchangeable as Hallmark movies. Continue reading

Santa’s Slay (2005)

Once again the nights are drawing in, the country is a death trap because it snowed for one day of snow, and Trash or Treasure is doing its annual Christmas Onslaught of seasonally themed exploitation movies. The first present out of the chimney is a 2005 “what if Santa was a psycho?” comedic effort from director and writer David Steiman, which stars Goldberg from back when he had just quit the WWE. It’s also got a sleigh drawn by a pissed-off buffalo, which has the cutest little nose.
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Final Exam (1981) is a bad film with some genuinly amazing ideas.

In context, this still makes no sense


This can easily be dismissed as yet another slasher that turned up on the coattails of Halloween and Friday The 13th, as part of The Golden Age Of Slashers. And it has all the hallmarks of such a film; it’s cheap, follows the tropes, and has a lot of so-so acting and directing. However, for all it’s many failings, writer and director Jimmy Huston needs to be applauded for making a film that really tried to do something different with the genre in several interesting ways.
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The Last Case Of August T. Harrison (2015)

Renowned curmudgeon and author HP Lovecraft is dead and, unlike many other popular franchise creators in a similar situation, his works are in the public domain. It’s a mythos that you can have great fun with so writer/director Ansel Faraj decided to make a genre-bending movie based that asks two important questions: “what if Lovecraft wrote about things that are real” and “what is a father was coming to terms with his son being…. an artist!”
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It Came From Outerspace (1953)

Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.

This week

Then at a deadly pace
It Came From Outerspace
And this is how the message ran…


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Dust Devil (1992)


There is a lot in common between my blog and the filmography of Richard Stanley. They’re both essentially uncommercial works, they are based on a love of cinema and belief in the scope of what movies can be, and they both rely on introspection interspersed with brutal violence. But whilst I do quick reads about other people’s work for free, he convinces people to give him millions of dollars to make two-hour gothic epics set in random deserts. Also; he once got driven crazy by Val Kilmer, but that’s a whole other story.
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King Kong (1933)

Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.

This week

Then something went wrong
For Fay Wray and King Kong
They got caught in a celluloid jam


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Xtro (1982) is… well, just watch it

When the credits start and you see the same name, in this case, Harry Bromley-Davenport, for the producer, director, writer, and composer roles it is traditional in psychotronic circles to brace yourself for impact. In the case of this sci-fi horror fever dream, it won’t do you any good, as its wanton disregard for explaining itself to the likes of its audience means you are just not going to be ready for this face-thumper.
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