Burnt Offerings (1976)


It’s time for some “Classic 70s horror” that you’ve never heard of, which mostly means a couple of well-known actors getting caught up in some supernatural shenanigans until their next big serious role comes along. In this case, it’s Oliver Reed, Bette Davis, Burgess Meredith, and one of the first appearances of the soon-to-be “ooh, I know them! They were in the thing!” Anthony James. It’s all very intense, it’s all very moody, but is it any good? Read on or watch the trailer that follows the era’s trend of giving away all the best bits.
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Studio 666 (2022) is good dumb fun


According to Dave Grohl, this movie happened because whilst recording the Foo Fighter’s tenth album he had an idea to do a very cheap slasher video about the band and the studio, like a little youtube home movie, and then suddenly there were millions of dollars in production money and John Carpenter doing the soundtrack. I’ve got no way of knowing if it’s true or marketing hype, but I imagine that kind of thing happens a lot in his world and it probably explains why this film exists. It also explains why it can only exist because the Foo Fighters are in it, and why this ends up being “A Hard Days Night” done by Hooper and Craven.
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Daybreakers (2009)


Here’s a question: what do you get if you cross vampires with sci-fi? Well, normally you get a disastrous bit of trash, like the awful Ultraviolet, or the “mostly remembered for the nudie scenes” Lifeforce. It’s probably because vampires are all about being spooky, mysterious, and asking “would you like a shag?” in assorted gothic ways, whilst sci-fi is more about ideas, explaining things, and answering questions that don’t need all your clothes taken off to answer. Still, if anyone was going to have a crack at making a good one, then Michael and Peter Spierig probably had the best chance with 2009’s Daybreakers. They had previously managed to mix zombies and aliens up to the delight of the lumbering dead fandom with 2003’s Undead, and that was in the middle of the zombie revival. Plus they were working in Australia, so they were cheap. Throw in Ethan Hawke, Willem Dafoe, and Sam Neil, and you’ve got a film that could have been a contender!
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