“When a nun in a remote convent claims immaculate conception, the Vatican sends a team of priests to investigate, concerned about an ancient prophecy that a woman will give birth to twin boys: one the Messiah, the other the Antichrist.” Which is a perfect setup for a bit of religious-themed horror, the only thing you need to add is a decent cast and a spooky church.
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Who’s up for a timeless tale of Christmas joy, told with grace and style? Tough, all I’ve got for you today is 60 minutes of badly made insanity, the likes of which can only be found in 60s TV specials. A film so thoroughly low budget that only one of the cast has any credits other than this film, and none of them have face on IMDB. So; yes, this is the good stuff! Continue reading
Much like rock-&-roll and professional wrestling, the Acid Western is one of the few truly American art forms. It’s a deconstructionist approach to the highly stylised American-myth making of the Western, itself a deeply political genre, that was steeped in the counter-cultural of the 60s. Whilst it’s heavily influenced by European new wave cinema, and its most famous creator is Chilean-French, it’s fundamentally America looking at itself looking at itself, and that’s strange before you get to all the uneasy weirdness that gets poured on top. And given the amount of religious fervor in The Old West, it’s almost an inevitability that Robert Downey Sr – satirist, firebrand, and reputably terrible father – would make one that’s based on the life of Jesus.
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Before I get into this review, I want to make a couple of things very clear.
So, with that in mind, here’s how I feel after 221 minutes of having my mind hammered into stunned silence by some of the most high-gloss mediocrity I’ve come across.
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Trash or Treasure 