The Batwoman (1968) is far more feminist that you would expect from the poster


If you look at the cover for this and go “why, it’s just a luchador-themed excuse for Maura Monti to run around in a Batman-themed bikini” then the art department has clearly done their job, Written (probably, it’s hard to say when the translation undoubtedly cost a tenner) by Alfredo Salazar and directed by René Cardona, this is a one hundred percent unofficial cash in on the success of Adam West’s take on DC Comics’ caped crusader. That includes being campy and nonsensical fun.
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Dust Devil (1992)


There is a lot in common between my blog and the filmography of Richard Stanley. They’re both essentially uncommercial works, they are based on a love of cinema and belief in the scope of what movies can be, and they both rely on introspection interspersed with brutal violence. But whilst I do quick reads about other people’s work for free, he convinces people to give him millions of dollars to make two-hour gothic epics set in random deserts. Also; he once got driven crazy by Val Kilmer, but that’s a whole other story.
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Australiens (2014) is bonzer, mate


It’s another micro-budget genre movie, this time rocking it at a tight $15,000 AUD (I’m not converting that into GBP, because by the time I’ve finished this review the figure will be horribly wrong) gathered by crowdfunding. It stars a gaggle of reasonably talented people, including writer Rita Artmann and writer/director Joe Bauer, and it has a bloody silly title as google keeps going “Did you mean Australians?”. It’s also funnier than Bouncer being drop-kicked by Skippy, and about as polite.
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Cyberzone (1995)


Want a practical example of why bad films get released under multiple names? This bit of viewing was picked purely on the grounds of there being the word “cyber” in its title; so had it been seen under its “Phoenix 2” or “Droid Gunner” monikers then you wouldn’t be about to read this cautionary tale. Then again, had just that bit more effort been put in by director Fred Olen Ray then the following would probably have been far more positive. It’s funny how life works out like that.
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Flash Gordon (1938)


Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.

This week 

And Flash Gordon was there
In silver underwear

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Bats (1999) is a flappy good time


If you’re worried about this 1999 Louis Morneau directed movie being a low-budget creepy-crawly-horror cash-in for Lou Diamond Phillips, then don’t panic. This is actually a disaster movie, starring Dina Meyer with Lou Diamond Phillips as the bit of totty that the hero wins at the end. It just looks like it’s an attempt to milk the last scrap of Arachnophobia money still on the table because that’s the only way it could sell its radical feminist agenda.
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Faster, Pussycat! Kill! Kill! (1965)


I’m not sure what I was expecting when I finally got around to watching this “must see classic” of trash/psychotronic culture. Obviously, having read about it in a thousand cult movie guides, I was expecting the constant presence of sex and violence that is Tura Satana and the satirical sleaze of Russ Meyer’s oeuvre, of which this film delivers in spades. But I wasn’t prepared for what else was lurking under the tight top of this juggernaut of a cinematic experience. Continue reading

Ice Spiders (2007) is cheap, disposable, fun


Films made for the Sci-Fi channel have a reputation for cheapness, dullness, and zeitgeist abuse that is rivaled only by The Asylum mockbusters. It’s not that they’re bad, so much as they always make you think of a better movie that you could be watching. So, when sitting down to watch this film from the renowned Hallmark Channel Christmas romance director Tibor Takács (who also did the well-regarded The Gate back in the 80s), expectations were set to “please don’t suck”. Thankfully, these heady heights were surpassed.
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The Stranger (1995) kicked some spooky arse


Ruffians are running the town in Arse End Of Nowhere, and the sheriff can’t stop them. A mysterious Stranger with a mysterious past rolls into town, all mysteriously, and starts dishing out some brutal street justice. We’ve seen the movie a hundred times, but is it enough that in this 1995 Fritz Kiersch The Stranger is a woman?
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Lieutenant Jangles (2018)

The inherent danger of making parodies of bad movies is that if you’re not careful, what you end up with is a bad movie. This 2019 released parody of Ozsplotation and general 80s renegade-cop action movies skirts dangerously close to that outcome, and then dives headfirst into it whilst literally pissing all over the place. This is a shame, as it had the potential to be really good.
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