The Stranger (1995) kicked some spooky arse


Ruffians are running the town in Arse End Of Nowhere, and the sheriff can’t stop them. A mysterious Stranger with a mysterious past rolls into town, all mysteriously, and starts dishing out some brutal street justice. We’ve seen the movie a hundred times, but is it enough that in this 1995 Fritz Kiersch The Stranger is a woman?
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Lieutenant Jangles (2018)

The inherent danger of making parodies of bad movies is that if you’re not careful, what you end up with is a bad movie. This 2019 released parody of Ozsplotation and general 80s renegade-cop action movies skirts dangerously close to that outcome, and then dives headfirst into it whilst literally pissing all over the place. This is a shame, as it had the potential to be really good.
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The Kitchen (2019)


It’s big, it’s glitz, it’s starting three people I’ve heard of, and I only found out about it by it jumping up on Amazon Prime: yes, it’s another “as far as I know it’s straight to VoD” roll of the cinematic dice. I don’t normally watch gangster films, as they never catch my eye. So if one does make me interested I feel compelled to give it a go, because it deserves points for trying. Also, I really like the leads but would never have thought of putting them together like this.

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Class of 1999 (1992)


Previously on Trash or Treasure, we watched Mark L Lester’s ode-to-armed-vigilante-killings: Class of 1984. Well, 8 years later he had another school-violence based story up his sleeve so envisioned, produced, and directed a cyberpunk follow-up, so it would be unfair not to see how things had changed in his mind.
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Class of 1984 (1982) is amazingly vulgar propaganda


The modern Vigilante movie, kicked off by Dirty Harry and perfected by Death Wish, has always carried with them a right-wing political subtext about the nature of society and the need for the individual to step in when the system fails. Well Mark L Lester, writer, director, and producer of this particular American conservative propaganda piece, thinks subtext is a communist conspiracy. He also thinks coherent settings are cowardice and subtlety is for pinko liberals, and this film is all the better for it.
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Prayer Of The RollerBoys (1990) – Nazi skaters, naff off!


It’s sometime in the future, approximately a couple of years after the environmental apocalypse, and due to overwhelming personal debt generated by the Baby-Boomers, America is now owned by a variety of other nations. Obviously, that makes no sense, but neither does a movie’s antagonists traveling by rollerblade; something that requires the kind of well-maintained streets and pavements post-collapse societies normally don’t offer. Still, this is not a movie that’s going to let such things get in the way of having a good time.
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Double Dragon (1994)

In the history of films based on video games, Double Dragon will always be the one that people go “oh, they made that? Really?”. It had the misfortune of coming out a year after the first videogame movie, Super Mario Bros, and a month before what is still one of the most heavily promoted, Street Fighter. It also had about a quarter the budget of either, and no big-name stars. But, much like the game itself when I was a kid in the arcade, I had to give it a go.
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The Suicide Squad (2021) Review: Or “James Gunn is one sick puppy, and I love him”

Is it a reboot? Is it a sequel? Is it an investigation into the mind of the anti-hero, asking the question “can bad people still do good things?”? Who cares: I saw a man get ripped in half by a giant man-shark, in full-frame with slow-mo, and laughed like a hyena while it happened.


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Blood Red Sky (2021)

The trailer for this film makes it look like an interesting twist on the “special agent on a hijacked plane” school of action movies. Specifically asking the questions “what if the special agent’s child was also on board?” and “what if the special agent was a vampire?”. Whilst I’m sure writer and director Peter Thorwarth could have done that well, I’m just happy he ended up asking enough further questions to justify gluing three movies worth of concept together.


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