Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.
This week
I knew Leo G. Carroll
Was over a barrel
When Tarantula took to the hills
Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.
This week
Anne Francis stars in (ooh-ooh-ooh) Forbidden Planet
Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.
This week
Then at a deadly pace
It Came From Outerspace
And this is how the message ran…
Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.
This week
Michael Rennie was ill, the day The Earth stood still. But he told us where we stand
I took another chance on a Sexagenarian classic of cinema, to see if it holds up as well as it did when I saw it aged 8, and the answer is “Not really, but it did look pretty”. Obviously frontloading a review with that information is going to cut down on the number of people reading on, but after this movie mucked me around for 86 minutes it would be unfair to not cut to the chase here.
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Once upon a time, mostly before they could get a steady supply of really good blood effects that would wash off of diaphanous nighties, Hammer Films did a lot of business with its Sci-Fi horrors including the renowned Quatermass series and the mostly forgotten X The Unknown and Spaceways. Unfortunately, they didn’t make Village of the Damned, so they released These Are The Damned as frightening children were in at the time. Directed by Joseph Losey, in exile from the USA for being a card-carrying communist, and reasonably based a book by H.L. Lawrence, it was applauded by The Times upon its release and has been recognised as a highpoint of British Sci-Fi cinema.
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