Miss Nobody (2010)

Working in an office is hell, so they make great places to center black comedies around. Most people can relate to them, so you’d don’t need to explain the premise, and most people know co-workers whom they would chuckle at the misfortune of, so if you rack up a varied body count the script is off to a good start. What can I say? Familiarity builds contempt and a lot of people are bastards.
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Forbidden Planet (1956)

Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.

This week

Anne Francis stars in (ooh-ooh-ooh) Forbidden Planet


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The Batwoman (1968) is far more feminist that you would expect from the poster


If you look at the cover for this and go “why, it’s just a luchador-themed excuse for Maura Monti to run around in a Batman-themed bikini” then the art department has clearly done their job, Written (probably, it’s hard to say when the translation undoubtedly cost a tenner) by Alfredo Salazar and directed by René Cardona, this is a one hundred percent unofficial cash in on the success of Adam West’s take on DC Comics’ caped crusader. That includes being campy and nonsensical fun.
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Dust Devil (1992)


There is a lot in common between my blog and the filmography of Richard Stanley. They’re both essentially uncommercial works, they are based on a love of cinema and belief in the scope of what movies can be, and they both rely on introspection interspersed with brutal violence. But whilst I do quick reads about other people’s work for free, he convinces people to give him millions of dollars to make two-hour gothic epics set in random deserts. Also; he once got driven crazy by Val Kilmer, but that’s a whole other story.
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Australiens (2014) is bonzer, mate


It’s another micro-budget genre movie, this time rocking it at a tight $15,000 AUD (I’m not converting that into GBP, because by the time I’ve finished this review the figure will be horribly wrong) gathered by crowdfunding. It stars a gaggle of reasonably talented people, including writer Rita Artmann and writer/director Joe Bauer, and it has a bloody silly title as google keeps going “Did you mean Australians?”. It’s also funnier than Bouncer being drop-kicked by Skippy, and about as polite.
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Greaser’s Palace (1972) is deeply weird west


Much like rock-&-roll and professional wrestling, the Acid Western is one of the few truly American art forms. It’s a deconstructionist approach to the highly stylised American-myth making of the Western, itself a deeply political genre, that was steeped in the counter-cultural of the 60s. Whilst it’s heavily influenced by European new wave cinema, and its most famous creator is Chilean-French, it’s fundamentally America looking at itself looking at itself, and that’s strange before you get to all the uneasy weirdness that gets poured on top. And given the amount of religious fervor in The Old West, it’s almost an inevitability that Robert Downey Sr – satirist, firebrand, and reputably terrible father – would make one that’s based on the life of Jesus.
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King Kong (1933)

Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.

This week

Then something went wrong
For Fay Wray and King Kong
They got caught in a celluloid jam


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Xtro (1982) is… well, just watch it

When the credits start and you see the same name, in this case, Harry Bromley-Davenport, for the producer, director, writer, and composer roles it is traditional in psychotronic circles to brace yourself for impact. In the case of this sci-fi horror fever dream, it won’t do you any good, as its wanton disregard for explaining itself to the likes of its audience means you are just not going to be ready for this face-thumper.
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Thrashin’ (1986)


Of the many things that Josh Brolin did between The Goonies and The MCU that no one knows about, this David Winters directed mishmash of skateboarding and Romeo & Juliet is absolutely one of them. Featuring a whole load of people that you’ll half recognise whilst going “oh my lord, they look so young!” and with a guest appearance from The Red Hot Chillie Peppers, it’s so 80s it [Insert Horrible Thing About The 80s That Everyone Forgets]. But on skateboards!
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The Invisible Man (1933)

Whilst this touts itself as “HG Wells’ The Invisible Man”, it’s fair to say that certain liberties have been taken in transferring the classic novel to the silver screen. It’s also fait to say that given the source now being 125 years old, and the basic “man goes invisible, then goes batshit” plot being intact, that the average viewer these days won’t notice. They also, with some rather impressively preserved copies being available at a crisp 2k, won’t notice any problems with the sound or images.

Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.

This week

Claude Rains was The Invisible Man

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