About Raggedyman

I write things

Killer Pinata (2015)


There is a grand tradition in the horror genre of random and ridiculous things getting possessed; Cars , Sofas , even lamps have been so afflicted, to varying levels of success. So let’s skip giggling at the pretext (even though it is joyfully stupid) and instead giggle at how funny this micro-budget comedy-horror is. Also, at how wonderfully messed up some of the ideas in this film are, as this is an effortlessly inventive bit of nonsense.
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The Creation Of The Humanoids (1962)


Roll up, for an amazing example of what a psychotronic masterpiece of B-Movie filmmaking can be. Because I can’t remember the last time such a godawful film held my attention so utterly. This 1962, Wesley Barry directed, lump of sci-fi cheese swings between the profound and the pathetic faster than the Theremin vibrates in the soundtrack, and is worth every rotten minute of its nippy 75 minutes run time.
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Santa And The Ice-Cream Bunny (1972) is a surreal, kid friendly, nightmare


If some films have red flags you can see a mile off, this film has enough for a United Communist Countries parade. Firstly it was written, directed, filmed, scored, and edited by one person; Richard Winer. Secondly, it was mostly used as a promotional vehicle for, specifically a regional amusement park (Pirates World in Florida). Thirdly, about half of it is made up for repurposed footage from another project, bulking the two out to something that can hit the magical 90 minutes run time marker. Combined, and the results should be terrible. Well, they are. But underneath that, there is a layer of amazing that no one, including the makers, intended there to be.
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Black Christmas (1973) Is A Chilling Horror Classic


This has been on the “important genre film to watch when time is found” stack for a while, because as the alleged inspiration for Halloween, the film that spawned the 80s Slasher craze, it’s one you’ve got to see even if it is a low-budget indie. So, because it’s coming up to Christmas, it got scheduled as a watch-along and we sat down for a bit of snark-along exploitation cinema. Which meant we were totally unprepared for what we ended up watching.
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Theatre Of Blood (1973) Is Wickedly Watchable

Not quite sure how I didn’t know that Vincent Price and Diana Rigg started in a film together and that they both considered it some of their finest work. Probably something to do with Theatre Of Blood being a modestly budgeted British film, done half a century ago, and them having over 250 screen credits between them. The important thing is that I watched it as soon as I found out about it, and by reading this So Can You!
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Cat-Women Of The Moon (1953)


So, for people taking notes at the back, here is the original “astronauts discover decadent, all-female (or almost all-female) civilizations on other planets” (according to The Encyclopedia of Science Fiction). It’s a 1953 release that was shot in black-and-white and released in 3D, because the cycle of getting people to watch any old rot by bunging on a gimmick was strong back then and 3D is a trend that just won’t die (no matter how many times it shoots itself in the face). And, oh boy, is this a lesson in how things were different back then.
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The Howling: Reborn (2011)


Horror was hot again in the 2010s, and werewolves had just got very hot thanks to Twilight making them take off their shirts. Which explains why, 26 years after the god-awful New Moon Rising, Anchor Bay was willing to give The Howling Franchise another chance with a Reborn. They also gave it a reboot, just make clear it had nothing to do with the shoehorning, time padding, nonsense of its predecessor. So, how did director and writer Joe Nimziki do with this post Scream, post Saw, post remake onslaught, bit of fur frenzy?
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Vamp (1986)

On paper, this film is a very good idea. It’s a blend of the classic genres of the 80s: sexy teen comedy and sexy vampires. It’s also got the amazing Grace Jones, who adds a touch of sexy and terror to any movie she’s in. Throw in some strippers, a few curious-looking street punks (including a top-notch appearance by Billy Drago), and what do you have?
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The Howling VII: New Moon Rising (1995)

Also known as “Mysterious Woman”


Clive Turner had a decent run with The Howling series, writing producing, and acting in Rebirth and Original Nightmare and directing Original Nightmare, as well as being location manager for The Marsupials. New Moon Rising was his chance to break away from all the interference that had messed around with those previous works, to show what he could really do on his own. The end result was a testament to what he could do when left to his own devices and probably explains why no one let him be fully in charge before.
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