Forbidden Planet (1956)

Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.

This week

Anne Francis stars in (ooh-ooh-ooh) Forbidden Planet


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King Kong (1933)

Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.

This week

Then something went wrong
For Fay Wray and King Kong
They got caught in a celluloid jam


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Bats (2021) is, against all odds, enjoyable nonsense


Chekov said “The role of the artist is to ask questions, not answer them” so Scott Jeffery (writer and co-director) has produced some of the purest art available because I can’t think of a single one of the 83 minutes of this movie in which I wasn’t going “what the fuck?” at the screen.
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Monster Island (2004)


Jack Perez is hardly a household name and MTV Studios is hardly a benchmark in quality entertainment, so to find out that they got together and made a Straight-To-TV ironic-comedy monster movie in the mid-2Ks is to fill your heart with low expectations. That the trailer is heavily focused on cameos by Carmen Electra and Adam West, and stars some generic, moody-heartthrob bloke you’ve never heard of is to possibly fill you with more inertia. But at Trash or Treasure we make a giant-bee line for that kind of thing, and this film reminds us why. Continue reading

Ice Spiders (2007) is cheap, disposable, fun


Films made for the Sci-Fi channel have a reputation for cheapness, dullness, and zeitgeist abuse that is rivaled only by The Asylum mockbusters. It’s not that they’re bad, so much as they always make you think of a better movie that you could be watching. So, when sitting down to watch this film from the renowned Hallmark Channel Christmas romance director Tibor Takács (who also did the well-regarded The Gate back in the 80s), expectations were set to “please don’t suck”. Thankfully, these heady heights were surpassed.
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The Howling (1981)


One more unto the horror-series-that-won’t-die breach, and this time it’s the furry favourite of The Howling series. Eight movies over a 30-year time span (so far), all kicked off by the eponymously titled 1977 best seller which doesn’t actually get made into a movie till Part IV. Still, the first movie meant that director Joe Dante and producer Michael Finnell got to make Gremlins three years later, so it can’t all be bad.
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The VelociPastor (2019)


Yes, I know this was the talk of the psychotronic town a couple of years ago. I was too busy watching other junk to get around to it, and I’ve got a weird (possibly anti-hipster) aversion to popular B-Movies, so that’s another cheap newscycle I missed out on. Anyway, I’m here and I’m sorry I missed the start of the party because, holy heck, this is one fun movie. Continue reading

This Island, Earth (1955) did not age well


I took another chance on a Sexagenarian classic of cinema, to see if it holds up as well as it did when I saw it aged 8, and the answer is “Not really, but it did look pretty”. Obviously frontloading a review with that information is going to cut down on the number of people reading on, but after this movie mucked me around for 86 minutes it would be unfair to not cut to the chase here.
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Infestation (2009)


It’s always a gamble to seek out and watch movies that are on the margins of quality; they could have their middling, C-grade rating because the work doesn’t gel with that wide an audience, or because the makers were trying something new and exciting and just missed the mark. B+ rated movies are a known quantity, it’s most likely that they are going to be good at what they are doing from the offset, and any issues are just going to be personal preference. D- films are just punishment for punishments’ sake, something you watch for pure snark or irony. But the middle ground is when hitting “play” becomes an adventure in its own right; an exciting land where things can go either way…
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Space Amoeba (1970)


The classic Japanese monster movie has a pretty set formula: monster exists, monster causes moderate levels of destruction in far off place, mankind looks at it and goes “Shiiitttt!”, the monster moves to a highly-populated area and causes massive amounts of damage, and mankind somehow pulls its arse out of the monster-induced fire. Whilst this is absolutely perfect plot progression, especially if it has municipal destruction that you can really see the behemoth emote through, sometimes you just want something different. Some kind of large-scale annihilation je ne sais pas to spice things up.
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