Dark Disciple (2016)


Allan Caggiano, who by his own admission has no formal training, set out with a four-person production crew to make a movie and for that I applaud him. He also said that “reviews (even the harsh ones) are greatly appreciated” so on the off change he gets to read this I hope he doesn’t think I’m being unfair with what’s about to be said. Making any kind of film is a soul-breaking task, and at the very least he brought into the world something that a group of us spent a pleasant hour and a half watching.
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Merrick (2017)


Another day, another apocalypse; this time in the form of Merrick; a boxing champion who had his career curtailed by one of those annoying diseases that wipes everything out for plot purposes. It’s written, directed, and produced by newcomer Benjamin Diouris, and the trailer makes it look low-budget. well presented, and a bit of a downer. Just the thing for a quiet summer’s viewing.
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Xtro (1982) is… well, just watch it

When the credits start and you see the same name, in this case, Harry Bromley-Davenport, for the producer, director, writer, and composer roles it is traditional in psychotronic circles to brace yourself for impact. In the case of this sci-fi horror fever dream, it won’t do you any good, as its wanton disregard for explaining itself to the likes of its audience means you are just not going to be ready for this face-thumper.
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End Of The World (1977) couldn’t end soon enough


One of the greatest things about Sir Christopher Lee (of which there is a long list) is that he always gave an incredible and committed performance regardless of the quality of the film he was in. As such, whenever someone finds one of his lesser-known works it’s always worth a punt, even if the film is otherwise quite bad. And by golly does this 1977 John Hayes directed movie prove that!
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Cyberzone (1995)


Want a practical example of why bad films get released under multiple names? This bit of viewing was picked purely on the grounds of there being the word “cyber” in its title; so had it been seen under its “Phoenix 2” or “Droid Gunner” monikers then you wouldn’t be about to read this cautionary tale. Then again, had just that bit more effort been put in by director Fred Olen Ray then the following would probably have been far more positive. It’s funny how life works out like that.
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Flash Gordon (1938)


Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.

This week 

And Flash Gordon was there
In silver underwear

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I Am Toxic (2021) is a film you need to see NOW


Does it count as World Cinema if a film is from Argentina, is a post-apocalyptic zombiefest and you have to read the subtitles? No clue; but as soon as I found out it existed I knew I had to watch Soy Tóxico, as that combination is something you don’t come across often. And I am so glad I did! Continue reading

Bats (1999) is a flappy good time


If you’re worried about this 1999 Louis Morneau directed movie being a low-budget creepy-crawly-horror cash-in for Lou Diamond Phillips, then don’t panic. This is actually a disaster movie, starring Dina Meyer with Lou Diamond Phillips as the bit of totty that the hero wins at the end. It just looks like it’s an attempt to milk the last scrap of Arachnophobia money still on the table because that’s the only way it could sell its radical feminist agenda.
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Spiderhead (2022), the dawn of cyberbeige


Of the big streaming services, mostly because it’s given up on having any kind of 80s and 90s back catalogue, Netflix is currently the best place for new cyberpunk things to watch. So, when this Chris Helmsworth fronted drama, written by the team who did Deadpool randomly appeared on Friday I was all kinds of pumped up about it. And now I can happily report that it was mostly okay if you have time to kill. Continue reading

Ice Spiders (2007) is cheap, disposable, fun


Films made for the Sci-Fi channel have a reputation for cheapness, dullness, and zeitgeist abuse that is rivaled only by The Asylum mockbusters. It’s not that they’re bad, so much as they always make you think of a better movie that you could be watching. So, when sitting down to watch this film from the renowned Hallmark Channel Christmas romance director Tibor Takács (who also did the well-regarded The Gate back in the 80s), expectations were set to “please don’t suck”. Thankfully, these heady heights were surpassed.
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