Greaser’s Palace (1972) is deeply weird west


Much like rock-&-roll and professional wrestling, the Acid Western is one of the few truly American art forms. It’s a deconstructionist approach to the highly stylised American-myth making of the Western, itself a deeply political genre, that was steeped in the counter-cultural of the 60s. Whilst it’s heavily influenced by European new wave cinema, and its most famous creator is Chilean-French, it’s fundamentally America looking at itself looking at itself, and that’s strange before you get to all the uneasy weirdness that gets poured on top. And given the amount of religious fervor in The Old West, it’s almost an inevitability that Robert Downey Sr – satirist, firebrand, and reputably terrible father – would make one that’s based on the life of Jesus.
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Dark Disciple (2016)


Allan Caggiano, who by his own admission has no formal training, set out with a four-person production crew to make a movie and for that I applaud him. He also said that “reviews (even the harsh ones) are greatly appreciated” so on the off change he gets to read this I hope he doesn’t think I’m being unfair with what’s about to be said. Making any kind of film is a soul-breaking task, and at the very least he brought into the world something that a group of us spent a pleasant hour and a half watching.
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King Kong (1933)

Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.

This week

Then something went wrong
For Fay Wray and King Kong
They got caught in a celluloid jam


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Merrick (2017)


Another day, another apocalypse; this time in the form of Merrick; a boxing champion who had his career curtailed by one of those annoying diseases that wipes everything out for plot purposes. It’s written, directed, and produced by newcomer Benjamin Diouris, and the trailer makes it look low-budget. well presented, and a bit of a downer. Just the thing for a quiet summer’s viewing.
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Xtro (1982) is… well, just watch it

When the credits start and you see the same name, in this case, Harry Bromley-Davenport, for the producer, director, writer, and composer roles it is traditional in psychotronic circles to brace yourself for impact. In the case of this sci-fi horror fever dream, it won’t do you any good, as its wanton disregard for explaining itself to the likes of its audience means you are just not going to be ready for this face-thumper.
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Thrashin’ (1986)


Of the many things that Josh Brolin did between The Goonies and The MCU that no one knows about, this David Winters directed mishmash of skateboarding and Romeo & Juliet is absolutely one of them. Featuring a whole load of people that you’ll half recognise whilst going “oh my lord, they look so young!” and with a guest appearance from The Red Hot Chillie Peppers, it’s so 80s it [Insert Horrible Thing About The 80s That Everyone Forgets]. But on skateboards!
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The Invisible Man (1933)

Whilst this touts itself as “HG Wells’ The Invisible Man”, it’s fair to say that certain liberties have been taken in transferring the classic novel to the silver screen. It’s also fait to say that given the source now being 125 years old, and the basic “man goes invisible, then goes batshit” plot being intact, that the average viewer these days won’t notice. They also, with some rather impressively preserved copies being available at a crisp 2k, won’t notice any problems with the sound or images.

Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.

This week

Claude Rains was The Invisible Man

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The Haunted House Of Horror (1969)


I wasn’t sure how to write this review, but after I did a bit of reading I found out that the producers had no idea about how to make this film. Half of it is an interesting proto-slasher, directed by Michael Haworth and stating a giggle of up-and-coming stars of British Cinema (and Frankie Avalon on his way down). The other half is an interesting drama, using the backdrop of swinging London and mostly the same cast. Sadly, you can see the welds. Continue reading

The Day The Earth Stood Still (1951)

Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.

This week 

Michael Rennie was ill, the day The Earth stood still. But he told us where we stand

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Hick (2011)

It’s hard to write the intro to this Derick Martini movie because after watching it and thinking about it for three days I can’t begin to work out what the hell the film was trying to accomplish. It’s not especially strange, although it’s certainly off-beat, and it’s certainly not dumb. It just seems to be what happens when you get a bunch of really talented people together and forget to have anything to say for 98 minutes. Continue reading