Night Of The Demon (1980)


This was found by HJDoom, of the now returned-to-regular-podcasting Bela Lugosis Shed, for their regular Sunday night Poor Quality Film Club viewing sessions. And, yes; I am going to plug the hell out of that podcast. It’s a great listen that you should be listening to too. So do yourself a favour and GET IN THE SHED!
Continue reading

Teenape Vs The Monster Nazi Apocalypse (2012)


I uncovered this film because someone asked me if there were any King Kong Vs Nazi films. I couldn’t find any such a thing, but I did find this 78-minute Z-movie masterpiece. Produced in the halcyon days of 2012, when having Nazis in a film wasn’t a political statement but an excuse to be brutally violent towards the obviously-bad guys, it’s a near-perfect, no-budget bit of filmmaking that just does its own thing. Its own thing is brutally stupid violence and a plot that feels like Hellboy on some very bad drugs. So, please be warned; this is not for the faint-hearted or easily offended.
Continue reading

Plan 9 From Outer Space (1957) – Revisiting the infamous classic

In the world of cult movies, especially that part devoted to the concept of “Worst Movie Ever!”, 1956, very independently produced, sci-fi horror Plan 9 from Outer Space looms disproportionately large. The film, made by the notoriously ambitious, devoted, and talentless Ed Wood, was considered lacking in the merit of any sort from the moment it was first screened to potential investors as “Grave Robbers From Outer Space” (the name changed because the two Baptist ministers, who backed the film as an effort to help spread the message of Jesus, thought it was too sacrilegious), and then rapidly went from a cheap half for double-features to even cheaper late-night TV time filler. Selecting a single reason for its failing to be taken seriously is difficult, as almost every element of the cinematic process is handled with the grace of a three year old making potato art when they are four orange squashes into a tartrazine bender, but none of that gets away from the fact that it is, no matter how you cut it, a highly endearing film.
Continue reading