Forbidden Planet (1956)

Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.

This week

Anne Francis stars in (ooh-ooh-ooh) Forbidden Planet


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Tuff Turf (1985)


Do you like 80s high school movies? Do you like 80’s comedies? Do you like 80s Romeo-and-Juliet stories? What about “rich kid gone bad”, vigilante, “fish-out-of-water” comedies, or 30s big-band-revivals? Well do we have a treat for you! Not only do we have James Spader and Robert Downey Jr showing that they were once young, but practically every mid 80s teen cinematic trope thrown into one two hour long mega-mix of double denim fashions and ozone-layer destroying hairstyles.
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It Came From Outerspace (1953)

Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.

This week

Then at a deadly pace
It Came From Outerspace
And this is how the message ran…


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Dust Devil (1992)


There is a lot in common between my blog and the filmography of Richard Stanley. They’re both essentially uncommercial works, they are based on a love of cinema and belief in the scope of what movies can be, and they both rely on introspection interspersed with brutal violence. But whilst I do quick reads about other people’s work for free, he convinces people to give him millions of dollars to make two-hour gothic epics set in random deserts. Also; he once got driven crazy by Val Kilmer, but that’s a whole other story.
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King Kong (1933)

Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.

This week

Then something went wrong
For Fay Wray and King Kong
They got caught in a celluloid jam


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Thrashin’ (1986)


Of the many things that Josh Brolin did between The Goonies and The MCU that no one knows about, this David Winters directed mishmash of skateboarding and Romeo & Juliet is absolutely one of them. Featuring a whole load of people that you’ll half recognise whilst going “oh my lord, they look so young!” and with a guest appearance from The Red Hot Chillie Peppers, it’s so 80s it [Insert Horrible Thing About The 80s That Everyone Forgets]. But on skateboards!
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Flash Gordon (1938)


Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.

This week 

And Flash Gordon was there
In silver underwear

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The Day The Earth Stood Still (1951)

Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.

This week 

Michael Rennie was ill, the day The Earth stood still. But he told us where we stand

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Faster, Pussycat! Kill! Kill! (1965)


I’m not sure what I was expecting when I finally got around to watching this “must see classic” of trash/psychotronic culture. Obviously, having read about it in a thousand cult movie guides, I was expecting the constant presence of sex and violence that is Tura Satana and the satirical sleaze of Russ Meyer’s oeuvre, of which this film delivers in spades. But I wasn’t prepared for what else was lurking under the tight top of this juggernaut of a cinematic experience. Continue reading

The Basket Case Trilogy is surprisingly good.


The general pattern for b-movie horror movie trilogies is, to my mind, a relatively established, disappointing and inevitable one. The first film is a success, frequently because the people involved in making it are new to the business or coming in as outsiders so don’t know/care about the preconceived notions of “how to do it right” (Evil Dead, Ginger Snaps, Night Of The Living Dead). The second, often not planned when the first was made and often with a bigger budget, is often made soon after as an attempt to cash in on the success of the first by building on whatever part of the mythos or scares stuck with the audience the most (Friday The 13th Part 2, Hellbound, Evil Dead 2). The third part is normally where the wheels come well and truly off the bus in spectacular fashion, as the core talent moves on (Halloween 3), the budget falls away as the makers realise the core audience will buy anything with its name on it (Wishmaster 3), or it shifts into a new direction (Army Of Darkness).
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