It may surprise modern folks, but the reason that A Christmas Carol did so well when first released by Charles Dickins was because it tapped into a grand tradition of telling ghost stories at Christmas time. So it’s probably of no surprise that the BBCs decision to commission a run of ghost stories for Festive viewings in the 70s was less to do with providing an alternative to bawdy light-entertainment and more to do with maintaining Victorian values. So it’s educational horror, beyond the usual anatomy lessons.
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A Warning To The Curious (1972)
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There is always a joy to watching Lee Marvin act, as you never know what he’s going to do next and you have the sense that him punching you is always a viable option. So, it’s rather fitting that his third to last film has a script that feels the same way. It’s was originally based Jean Herman’s novel of the same name, and then went through three other screenwriters until director Yves Boisset got his hands on it. Needless to say, the director behind the criminally underappreciated sci-fi death-TV masterwork that is Le Prix Du Danger insured that it had social commentary, blunt violence, and an uneasy touch of surrealism. 
I’m not going to pretend to have a vast knowledge of the Austrian horror movie scene and, until this film, I just assumed it existed rather than had proof it was there. So I was a bit surprised that writer-director Dominik Hartl made the first-ever Austrian zombie film, and decided to give it a try.
Trash or Treasure 