Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.
Then at a deadly pace
It Came From Outerspace
And this is how the message ran…
It’s another micro-budget genre movie, this time rocking it at a tight $15,000 AUD (I’m not converting that into GBP, because by the time I’ve finished this review the figure will be horribly wrong) gathered by crowdfunding. It stars a gaggle of reasonably talented people, including writer Rita Artmann and writer/director Joe Bauer, and it has a bloody silly title as google keeps going “Did you mean Australians?”. It’s also funnier than Bouncer being drop-kicked by Skippy, and about as polite. Continue reading →
One of the greatest things about Sir Christopher Lee (of which there is a long list) is that he always gave an incredible and committed performance regardless of the quality of the film he was in. As such, whenever someone finds one of his lesser-known works it’s always worth a punt, even if the film is otherwise quite bad. And by golly does this 1977 John Hayes directed movie prove that! Continue reading →
So, for people taking notes at the back, here is the original “astronauts discover decadent, all-female (or almost all-female) civilizations on other planets” (according to The Encyclopedia of Science Fiction). It’s a 1953 release that was shot in black-and-white and released in 3D, because the cycle of getting people to watch any old rot by bunging on a gimmick was strong back then and 3D is a trend that just won’t die (no matter how many times it shoots itself in the face). And, oh boy, is this a lesson in how things were different back then. Continue reading →
In the latest shopping trip to the cheaper end of DVD sales, I noticed that there were several copies of the 2004 film, ‘Starship Troopers 2: Hero of the Federation’ in every shop I went into. This normally means that either a new box set has just been released or that it’s not a very good film. Given the pedigree of its predecessor, Paul Verhoeven’s 1997 exemplary satire “Starship Troopers”, I took a punt on it being the former. This proved to be wrong. Very, very wrong. Continue reading →