According to the blub that came in the review pack “Redshift #1 is a bleak sci-fi mini-series which can best be described as Lost In Space meets The Expanse”. By the second page, we have a dead mother, a few pages further on we have a sinister Ministry controlling Mars, and by the halfway point we have a story-within-a-story that could have been a depressing gut-kick of a comic within itself. So; yes, it’s nice to have a comic live up to its own hype.
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Army Of The Dead (2021)

When Zach Snyder debuted in the feature film world, it was with his 2004 remake of Dawn of The Dead. It was a smart, exciting, and overall interesting take on George A Romero’s classic zombie story; taking the basic set-up and social themes, then working in some new flourishes to keep the audience guessing. The movie had something to say, it knew how to do that in a visually and emotionally satisfying way, and whilst it played with themes of inertia and boredom it did so without frustrating the audience. It was an explosive, captivating film, from a director with everything to prove. Continue reading
Anna And The Apocalypse (2017)

Horror movies have always traded on two key things; novelty and transgression. They’ve also always held a dark secret; the more “high concept” those two are, the more likely it is that a film will try to trade on those elements alone and not bother to actually be any good in and of itself. So, it’s with great joy and relief that I can confirm that this zombie musical coming-of-age Christmas movie is also a great movie. Well, assuming that you like the idea of multiple song-and-dance numbers mixed with blood-soaked scenes of walking dead induced slaughter.
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Mulberry Street (2006)
A regular criticism I hear about zombie movies is that “no one does anything different with them”. This annoys me for three main reasons; firstly, that there could be anything wrong with the classic plot of “people fine, zombies turn up, zombies eat people”. Secondly, because there is a massive difference between plot and story and it’s pointlessly reductive to confuse them (“pe
rson commits crime, they think they go away with it, turns out they didn’t”, I’ve saved you watching everything from Hound of the Baskervilles to Wolf of Wall Street), And thirdly because it’s so ignorant of all the amazing work that’s been done in the genre, even within the “confines” of it’s three-act framework.
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The Gladiator (1986)

At some point in the production process of this Abel Ferrara movie, the decision was made to switch it from a theatrical release to a made-for-TV special. Whilst the details are sketchy, it appears to be how the wind got knocked out of the collective sails of all those involved, as what has moments of pure, befuddlingly creative genius manages to become drab and low-energy. Given that it’s a car-centric cross between Jaws and Death Wish, that’s quite the accomplishment.
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Gory Gory Hallelujah (2003)

Pitching itself as “an apocalyptic fairy fail”, and featuring the praise of both Llyod Kaufman (head of Troma Studios and psychotronic cinema royalty) and Richard Elfman (brother of Danny), I had never heard of this film until my father-in-law dropped it off as one of his £1 charity shop finds. Whilst the ridiculous cover drew me in, I was also interested by it being a “Von Piglet Sisters” movie. I wanted to see what director/producer Sue Corcoran and writer Angie Louise could come up with, as female created films are still less uncommon in Bargain Bin genre flicks, so sat down in anticipation and wondered “how crazy could this be?”
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Transylvania 6-5000 (1985)

Have you ever wondered to yourself “What would happen if The Dow Chemical Company had a bunch of money it had to spend in Yugoslavia, and decided to make a horror-comedy there so it would get the profits in the USA?”. Well, if so then we have a treat for you in this 1985 Rudy De Luca-written and directed movie that appears to hinge on a pun that also hinges on a 1940s jazz standard! It also also hinges on thinking Transylvania is a country, rather than a region in Romania, and that you don’t really need a script if you have enough talented actors. Continue reading
Miss Meadows (2014)

Katie Holmes, aka “America’s Sweetheart in Dawson’s Creek”, had appeared in a couple of action films before this 2014 Karen Leigh Hopkins-written and directed movie. However, she had never appeared as a protagonist and certainly hadn’t been presented as Charles Bronson in a floral dress. This probably explains why this movie has managed to slip under the radar. Well; that and it being panned by the critics for the high crime of being a bit odd but not in the way they liked.
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The Sisterhood (1988)

The post-apocalyptic Mad-Max cash-in genre has always been a fertile ground for questionable cinema, as shown by this being the third of its highly specific kind put through the Trash or Treasure mill. Something about finding a gravel pit, throwing an assortment of fantasy, sci-fi, and BDSM costumes on low-paid actors, and then just having everyone run around whilst things explode for the smallest of reasons instantly creates potential for a good bit of nonsense viewing. So, when the trailer for this Thomas McKelvey Cleaver-written and Cirio H. Santiago-directed 75-minute movie decided to change the rules and be about a bunch of women shitkicking their way through the dark future, hopes were raised for it adding something new to the old clichés. Continue reading
Debug (2015)
This 2014 Canadian sci-fi horror, written and directed by David Hewlett, sets its stall up in the trailer as a medium budget, medium concept bit of midweek fun. It doesn’t suggest anything ground breaking or radical, and it doesn’t lean too heavily on having scooped Jason Momoa for a lead role. For a film that doesn’t have enough critic reviews to get a Rotten Tomatoes or Metacritic rating, it arrived into the watch pile with the due fanfare of it just turning up on the “customers have also watched…” rolodex between Jurassic Galaxy and 2099 The Soldier Protocol. Filled with duly tapered expectations, it turned out to continue it’s tepidity by being mildly surprisingly good.
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