
I appreciate that time has passed since this novelty film came out, but I’m going to talk about it anyway as I absolutely loved it I want to get some thoughts out of my head about it. Firstly, I want to say that it is incredibly good fun if you go into it with the right “this is an absolute piss-take of a film that considers reality to only have value if it adds to the gag”. It’s also an incredibly mind-melting experience to watch it when the person behind you is apparently convinced that it’s a documentary and is vocally complaining that the audience laughing at the comedic over-violence is being grotesquely disrespectful. Honestly, I didn’t know if I should laugh harder at them or the movie.
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Tag Archives: drama
Wyvern (2009
The entire description blurb for this is “They Find a Live Wyvern in small-town Alaska.” It doesn’t explain who “they” are, the l is needlessly capitalised, and my expectations were set accordingly. Then, in the first two minutes, we get a caption telling us the icy landscape is Alaska, and then a CGI wyvern turns up. I can’t think of better expectation management in a creature feature. Continue reading
2149: The Aftermath (2016) is an interesting YA apoclaypse tale

Also known as ESC, Darwin, and Confinement, which are a fine collection of highly evocative titles, the trailer I saw for this appeared to be an attempt to cash in on Covid-19 fears, even though it was made a solid 6 years before The Pandemic kicked off. Which is a shame, as it’s far better than the kooky conspirasphere fable it was trying to pass itself off as. Then again, it’s a film that’s in a curious little world of its own so it’s not too surprising that they tried everything they could to market it.
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Day Of The Triffids (1962)
Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.
This week
And I really got hot
When I saw Janette Scott
Fight a Triffid that spits poison and kills
Violent Night (2022) is a must see classic.
The high-concept pitch for this is “Santa rescues a rich family from the clutches of armed criminals from the cut-and-weld version of Die Hard & Die Hard 2”. And if the recipient’s instant reaction wasn’t “KA-CHING£$!” they need to be fired. David Harbour is Santa McClane, and that covers half the bill by itself.
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The Last Case Of August T. Harrison (2015)
Renowned curmudgeon and author HP Lovecraft is dead and, unlike many other popular franchise creators in a similar situation, his works are in the public domain. It’s a mythos that you can have great fun with so writer/director Ansel Faraj decided to make a genre-bending movie based that asks two important questions: “what if Lovecraft wrote about things that are real” and “what is a father was coming to terms with his son being…. an artist!”
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Tuff Turf (1985)

Do you like 80s high school movies? Do you like 80’s comedies? Do you like 80s Romeo-and-Juliet stories? What about “rich kid gone bad”, vigilante, “fish-out-of-water” comedies, or 30s big-band-revivals? Well do we have a treat for you! Not only do we have James Spader and Robert Downey Jr showing that they were once young, but practically every mid 80s teen cinematic trope thrown into one two hour long mega-mix of double denim fashions and ozone-layer destroying hairstyles.
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Greaser’s Palace (1972) is deeply weird west

Much like rock-&-roll and professional wrestling, the Acid Western is one of the few truly American art forms. It’s a deconstructionist approach to the highly stylised American-myth making of the Western, itself a deeply political genre, that was steeped in the counter-cultural of the 60s. Whilst it’s heavily influenced by European new wave cinema, and its most famous creator is Chilean-French, it’s fundamentally America looking at itself looking at itself, and that’s strange before you get to all the uneasy weirdness that gets poured on top. And given the amount of religious fervor in The Old West, it’s almost an inevitability that Robert Downey Sr – satirist, firebrand, and reputably terrible father – would make one that’s based on the life of Jesus.
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Dark Disciple (2016)

Allan Caggiano, who by his own admission has no formal training, set out with a four-person production crew to make a movie and for that I applaud him. He also said that “reviews (even the harsh ones) are greatly appreciated” so on the off change he gets to read this I hope he doesn’t think I’m being unfair with what’s about to be said. Making any kind of film is a soul-breaking task, and at the very least he brought into the world something that a group of us spent a pleasant hour and a half watching.
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King Kong (1933)
Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.
This week
Then something went wrong
For Fay Wray and King Kong
They got caught in a celluloid jam

