Bomb City (2017) is a brilliant social drama


This film recants the story of the murder of Brian Deneke, a 19-year-old Amarillo, Texas punk killed by a 17-year-old jock in 1997. Directed by Jameson Brooks, produced by Cheldon R Chick, and written by the pair, it’s a deeply evocative look into the immediate events that lead to that situation. It’s both a singular story and a repetitive one (Sophie Lancaster springs to mind), but the film goes beyond a simple reenactment. Continue reading

Essex Space Bin (2016) Is Amazing


If you ever wanted to know what films Ken Loach would have made if he had been brought up on a steady diet of The Evil Dead and cheap speed on a sink estate in Maldon then do we have a treat for you! Made by the Chelmsford Film Society and distributed by independent film royalty Troma Entertainment, it tackles questions of reality, social degradation, mental health, and quantum physics. Mostly it does it by taking the piss and being cheap as hell, but that doesn’t mean it can’t be groundbreaking in it’s own rights.
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Here Comes Hell (2019) is far better than advertised


The promise of this Jack McHenry written and directed movie is straightforward: “Let’s take the micky out of the old Agatha Christie rip-off movies of the 30s”. It’s a simple, evocative, and, to the right kind of person, enthralling concept, and about the first 20 minutes of the film do a good job of it. But, much like the best murder mysteries, things suddenly go awry in the best possible manner. Continue reading

Cellmates (2011)


Tom Sizemore isn’t renowned for his comedy, but he is a damn fine actor and has brought comedic moments to his more serious roles. Héctor Jiménez is, and he’s also a damn fine actor who’s done serious roles and brought the right amount of drama to things like Nacho Libre. Having never heard of this 10-year-old film, it needed to get a watch.
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2149: The Aftermath (2016) is an interesting YA apoclaypse tale


Also known as ESC, Darwin, and Confinement, which are a fine collection of highly evocative titles, the trailer I saw for this appeared to be an attempt to cash in on Covid-19 fears, even though it was made a solid 6 years before The Pandemic kicked off. Which is a shame, as it’s far better than the kooky conspirasphere fable it was trying to pass itself off as. Then again, it’s a film that’s in a curious little world of its own so it’s not too surprising that they tried everything they could to market it.
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Attack Of The Lederhosen Zombies (2016)

I’m not going to pretend to have a vast knowledge of the Austrian horror movie scene and, until this film, I just assumed it existed rather than had proof it was there. So I was a bit surprised that writer-director Dominik Hartl made the first-ever Austrian zombie film, and decided to give it a try.
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Miss Nobody (2010)

Working in an office is hell, so they make great places to center black comedies around. Most people can relate to them, so you’d don’t need to explain the premise, and most people know co-workers whom they would chuckle at the misfortune of, so if you rack up a varied body count the script is off to a good start. What can I say? Familiarity builds contempt and a lot of people are bastards.
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The Last Case Of August T. Harrison (2015)

Renowned curmudgeon and author HP Lovecraft is dead and, unlike many other popular franchise creators in a similar situation, his works are in the public domain. It’s a mythos that you can have great fun with so writer/director Ansel Faraj decided to make a genre-bending movie based that asks two important questions: “what if Lovecraft wrote about things that are real” and “what is a father was coming to terms with his son being…. an artist!”
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Australiens (2014) is bonzer, mate


It’s another micro-budget genre movie, this time rocking it at a tight $15,000 AUD (I’m not converting that into GBP, because by the time I’ve finished this review the figure will be horribly wrong) gathered by crowdfunding. It stars a gaggle of reasonably talented people, including writer Rita Artmann and writer/director Joe Bauer, and it has a bloody silly title as google keeps going “Did you mean Australians?”. It’s also funnier than Bouncer being drop-kicked by Skippy, and about as polite.
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Dark Disciple (2016)


Allan Caggiano, who by his own admission has no formal training, set out with a four-person production crew to make a movie and for that I applaud him. He also said that “reviews (even the harsh ones) are greatly appreciated” so on the off change he gets to read this I hope he doesn’t think I’m being unfair with what’s about to be said. Making any kind of film is a soul-breaking task, and at the very least he brought into the world something that a group of us spent a pleasant hour and a half watching.
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