Funnyman (1994) – Gross out British horror

Whilst the British movie industry has added many a fine villain into the canon of horror genres, it’s never been especially good when it comes to the comedic anti-hero side of things. Whilst Hammer Horror developed one of the definitive Dracula’s, Clive Barker birthed the undying Pinhead into the world, and we have enough psychologically-broken bastards to fill Broadmoor Hospital three times over (Max Parry from The Last Horror Movie still gives me the shivers, check that out but keep the lights on!)… but as soon as we give them a pithy one-liner it all goes a bit wrong, normally resulting in something halfway between Kenny Everett and Ken Russell. Maybe it’s a hangover from the 80s when any half decent horror got hurried to the thriller section, or maybe it’s because we were just embarrassed at how very good the Americans are at it.

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Love, Death & Robots Season 1


Anthologies are, by their very nature, a mixed bag, but Love, Death & Robots often feels like it’s an utterly random hodgepodge of stories and tones thrown together with no cohesive themes. To give you an idea, the first half opens with a solid 18-rated, by-the-numbers gore, and pseudo-sexy cyberpunk then skips to a charming little comedy about three robots taking a tour through the post-apocalypse, follows up with the way too long and far too exploitative Naked Woman Running In Terror sequence. It’s then on to a charming story of space farmers defending a homestead with mechs, tries to be serious with an 80s inspired Vampires vs Cats, hits another high note with a highly evocative social comedy about hyper-intelligent Yogurt and tails off with the double act of The Opening Of Aliens: Let’s Have Sex In Space, and Steampunk: Mystic Asia With Rich Europeans Being Terrible.
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