One week, 30 hours, and £2045 later – The Post 30 Hours Of Dragonballs Post

As some of you might have noticed, between 10am on Friday the 13th of September and 4pm on Saturday the 14th of September I watched a hell of a lot of Dragon Ball to raise money for the homeless charity Crisis UK. And, I’m very happy to say that, as per the spoiler in the title, quite a lot of cash was donated. That is wonderful and has been celebrated extensively, but as I finally escape the jetlag of having done that I thought it warranted a bit more discussion and a look under the hood of what’s involved.

I promise I’ll try not to be too self-indulgent
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And now, a request for your cash; For Charity!

Sorry I’ve been away for… wow, almost two months!… but life and doing another season of Paul And Andrew Watch All Of got in the way of keeping the reviews coming through. However, I carried on watching movies to keep me going and, as I often do when sitting on a nice sofa in a warm room, I acknowledge that things could be far worse. For a start, I could have been homeless. So, as is my semiannual tradition, I’m going to spend time watching films I know I’m going to hate in the hopes you’ll donate some cash to help homeless people.

It’s a simple concept: I watch Amityville movies for 24 hours straing, possibly losing my mind because they’re all incredibly dull and frequently nothing but cheapy mockbusters, you get to see it happening in real time as I stream it and mock/encourage me directly as I try to get through it all, and we both help get some much needed cash to Crisis UK. Or you do the same but send the money to a homeless charity in your part of the world and tell me you did it. Main thing: Bad Movies + Endurace Watch = Donations + Amusement.

Things start 30th of September, which means you have plenty of time to raid your sofa for change and tell all your friends! Or even your enemies if they’re good for a share or a couple of coins into the pot. The main thing is that it’s happening and everyone is invited to you might as well make something good happen from it, other than me finding new ways to describe a pondurouse bit of cinematic chaff. So, please: send money to justgiving.com/page/24-hours-in-amityville and wish me luck as I try to spend 24 Hours In Amityville.

The Raggedyman

The 5 Uwe Boll Ball Movies Ranked


Before we start, two observations that apply to all of these films and need to be addressed.

Firstly, they all look very good. Both in terms of production values and how they are shot, all of the movies show a surprisingly high level of technical ability within the crew. The cast are, mostly, similarly talented. Whilst there are a couple of bad performances, most are quite good IF you ignore the material they have to deal with. These are multimillion-dollar productions, and they have the look and feel of multimillion-dollar productions that don’t sap your will to watch. As such, any and all criticism has to be placed directly at the feet of the director and producer, Uwe Boll, for the active decision to make such god-awful movies when they could so very easily have made perfectly okay ones.

Secondly, the sex scenes are atrocious. They are not sexy, most of them are not needed, there is next to no chemistry between anyone involved, and even the ones that you can just about accept as part of the plot are excessively long to the point of dullness. These films were obviously made with a predetermined boob quota and the assumption that showing a breast is, in and of itself, erotically charged. The most pointless was in Along In The Dark, as it could have been cut from the film and made zero impact on any of the story even though it involved two of the main characters. The most offensive was in BloodRayne 3; wherein the hero and unconscious heroine in a van taking them to a concentration camp, with zero romantic build-up, decide to have wild, freaky sex because he groped her whilst she was unconscious. Everything else is somewhere between those two points, and all are down to “artistic” decisions Uwe Boll made.
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The Mamma Mia! Reviews


Before I get into this review, I want to make a couple of things very clear.

  1. Thank you to everyone who donated to Shelter to make me go through the “experience” of watching these two movies. I think it cannot be overstated that without your money I would never have done this. And if you haven’t donated: don’t worry, there is still time!!
  2. If you like ABBA then please don’t consider this a shot at the band. They aren’t my cup of tea, mostly because in my opinion, if they were tea then they would be the kind that’s made by showing hot water a tea bag for a second and gets presented to great disapproval from your Gran who was quietly listening to some Slayer. But I can accept that ABBA are very good at their job.
  3. If you like the live musical Mamma Mia!, accept that this isn’t a shot at that either. I wouldn’t want to go see it myself but it takes skill and talent to do this kind of thing live, so watching any stage show gets to be impressive by the default of raw human accomplishment. I’m not a fan of jukebox musicals, I’m not a fan of ABBA, but I’ll still tip my hat to those involved in that kind of performance.

So, with that in mind, here’s how I feel after 221 minutes of having my mind hammered into stunned silence by some of the most high-gloss mediocrity I’ve come across.
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