
Now calm yourselves, for I must give you a warning. This film is silly. Very, very silly. It’s very obviously being daft by making a mockery of a lot of what would have been popular movies at the start of the 80s, especially the so-called “video nasties”. Thankfully the cliches and styles that it rips into are still with us after 40 years, so you should be able to get the majority of the jokes. Especially those about boobs and willies, you filthy degenerates!
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Category Archives: Horror
The VelociPastor (2019)

Yes, I know this was the talk of the psychotronic town a couple of years ago. I was too busy watching other junk to get around to it, and I’ve got a weird (possibly anti-hipster) aversion to popular B-Movies, so that’s another cheap newscycle I missed out on. Anyway, I’m here and I’m sorry I missed the start of the party because, holy heck, this is one fun movie. Continue reading
Killer Sofa (2019)

If the title hasn’t given it away already, this 2019 film written and directed by Bernie Rao is ridiculous. It’s called “Killer Sofa”, it’s about a piece of home furnishing that kills people, and the main character is literally a recliner chair that the director picked up for one hundred New Zealand dollars. So, if you either aren’t already pumped up for this level of silliness or are going “but a recliner chair isn’t a sofa!” then this film is absolutely not for you. No one will judge you for that and it’s better that you leave now before you look confused as to why everyone enjoying it is giggling over a police officer having the last name of “Gravy”.
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The Strange Case Of Dr Jekyll and Mr Hyde (1968)
The Strange Case of Dr Jekyll and Mr Hyde has, over the 134 years since it was first published, earned its place as a work of horror fiction so ubiquitous within pop culture that most people know the basic story without having needed to read the book. However, unlike it’s more camera-friendly equals of Frankenstein or Dracula, it’s also one that an audience is unlikely to have seen on the big screen in anything like its original form. Modern world retellings, comedy twists (normally involving the perceived hilarity of a gender switch), and outright plot bastardization abound, to varying degrees of success (and If you must watch The Nutty Professor then for god’s sake make it the 1963 Jerry Lewis one!) Continue reading
Backtrack (2015)

Who’s up for a bit of 2015 “mystery thriller” starring Oscar-winning Adrian Brody and every-award-but-an-Oscar winning Sam Neill? Sure that’s going to get you excited? What if we said it was written, directed, and produced by Michael Petroni, director of well-received The Chronicles of Narnia: The Voyage of the Dawn Treader, The Rite, and The Book Thief (and actor in DAAS Kapital, for the obscure 90s-TV-lovers out there)? Probably not as much, but you’d think you would be in safe hands. That you hadn’t heard of the film might make you a bit hesitant, but surely it can’t be that bad with such a pedigree?
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Don’t Panic! The remakes can’t hurt you if you don’t let them in
The Lost Boys is getting a remake, and thus my horror and movie feed has been filled with people throwing their arms up as they suddenly realise they are 30 years away from being culturally relevant. “Oh no!”, I imagine their little straw voices cry, “What if the girl is more than a lampshade with incredible hair? What if the music isn’t from my last carefree summer? What if there isn’t an overly long sequence with an oiled-up saxophonist? And what if it also doesn’t receive the universal acclaim that I think the original was given?” Continue reading
Nightmare Beach (1984)

I saw this one doing the rounds on the “so bad, they’re good” social media conversations recently, but to risk a fight with the people yelling “cult classic!” one too many times I can safely put this slasher on the “so bad it’s actually just a disappointing viewing experience” pile instead. And I use disappointing with great care because had the filmmakers put any care into it there was the chance of a decent film.
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Candyman (2021) – Because the candy man can…

If there’s one thing horror cinema loves, it’s a reboot, remake, or sequel of a damn fine bit of cinema from a couple of decades ago. And if there’s one thing horror cinema is awful at, it’s making reboots, remakes, or sequels that are any good. They forget what made the original worth watching, add nothing to the narrative, or alienate fans of the original. Well, good news for all: whatever Candyman 2021 is, it’s a damn fine follow-up to Candyman 1992.
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Scanner Cop 2: The Showdown (1995) Laxative combat and you!

For a movie that is the sequel to the spin-off of a film that people mostly remember for the exploding head sequence, I shouldn’t have expected much. David Cronenberg had demonstrated his potential as a writer and director with 1981’s body-horror classic Scanners, but by the time this Steve Barnett film came out 14 years later, his entire involvement was as a bit of advertising copy and a small payment. But whilst Scanners: The Showdown fails to be a worthwhile watch by any conventional standards, it does hold some very valuable lessons about how to screw up a decent central premise.
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Double Dragon (1994)

In the history of films based on video games, Double Dragon will always be the one that people go “oh, they made that? Really?”. It had the misfortune of coming out a year after the first videogame movie, Super Mario Bros, and a month before what is still one of the most heavily promoted, Street Fighter. It also had about a quarter the budget of either, and no big-name stars. But, much like the game itself when I was a kid in the arcade, I had to give it a go.
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