On the surface, it looking like a cheap bit of crime drama. Just under the surface, a lot more T&A than expected, but I should have seen the “Thriller” tag and put two and two together so that’s on me. Beneath all that, a far more complicated movie which tries to push at the boundaries of what cinema could . Or, at least, something that throws every idea it can think of into a mafia / slasher / romance / cop / action / psychological / thriller cheapie.
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Category Archives: Film
Rawhead Rex (1986) isn’t terrible and that really annoys me.
There is a truth, often spoken uncontested, that Rawhead Rex is an utterly shitty film. Much like James Corden, it has become a byword for badly made, uninspired, and derivative trash. Thus, as a fan of all flavours of cinema (including the super-sour), I never bothered to track it down and only watched it because it was free, I had nothing specific to watch, and the algorithm spotlighted it for me. I was expecting a mild hate watch, and instead, I was just angry at all those who had pointlessly berated this perfectly acceptable film for internet points.
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Cellmates (2011)

Tom Sizemore isn’t renowned for his comedy, but he is a damn fine actor and has brought comedic moments to his more serious roles. Héctor Jiménez is, and he’s also a damn fine actor who’s done serious roles and brought the right amount of drama to things like Nacho Libre. Having never heard of this 10-year-old film, it needed to get a watch.
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Night Of The Demon (1980)

This was found by HJDoom, of the now returned-to-regular-podcasting Bela Lugosis Shed, for their regular Sunday night Poor Quality Film Club viewing sessions. And, yes; I am going to plug the hell out of that podcast. It’s a great listen that you should be listening to too. So do yourself a favour and GET IN THE SHED!
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Cocaine Bear (2023) is a damn wonderful movie

I appreciate that time has passed since this novelty film came out, but I’m going to talk about it anyway as I absolutely loved it I want to get some thoughts out of my head about it. Firstly, I want to say that it is incredibly good fun if you go into it with the right “this is an absolute piss-take of a film that considers reality to only have value if it adds to the gag”. It’s also an incredibly mind-melting experience to watch it when the person behind you is apparently convinced that it’s a documentary and is vocally complaining that the audience laughing at the comedic over-violence is being grotesquely disrespectful. Honestly, I didn’t know if I should laugh harder at them or the movie.
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The Ghost And Mr Chicken (1966)
It’s the mid-sixties, so whilst New Hollywood is being forged, Rock-&-Roll is tuning on to acid, and Vietnam is still considered winnable, there were kids’ movies to be made! In this case, with one of the stars and a number of the behind-the-scenes team from the outrageously popular Andy Griffiths show. It made crazy bank then, and secured a four-movie deal for those involved, but do the ghostly hijinks and gurning promised in the trailer hold up to today’s cynical psychotronic audience? Well…
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Footprints on the Moon (1975)

This had an enigmatic title, came from a noted Italian genre director, is being marketed under the normal quite crazy Shameless banner, and had a synopsis that sounded rather spicy. So as I was in the mood to try out something with a bit more European flavour than normal, and it didn’t look like yet another giallo slasher, it was worth a punt.
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Wyvern (2009
The entire description blurb for this is “They Find a Live Wyvern in small-town Alaska.” It doesn’t explain who “they” are, the l is needlessly capitalised, and my expectations were set accordingly. Then, in the first two minutes, we get a caption telling us the icy landscape is Alaska, and then a CGI wyvern turns up. I can’t think of better expectation management in a creature feature. Continue reading
A pair of shorts: Treevenge (2008) and Noiseman SoundInsect (1997)
These two have nothing in common; other than I want to share them with you and they’re both under 15 minutes long.
Treevenge is a film that asks “Ever thought about how bad it would suck to be a tree during the Christmas season?” and then puts your mind through the woodchipper with aboral based gore. It’s in turn surprisingly evocative, brilliantly observational, and brutally childish. It also knows exactly how much mileage you can get out of its gag premise and goes not a second over what can be made from it. Then again, the final shot is in majestic bad-taste so I’ve no clue what could follow it up.
Watch it here
Noiseman Soundinsect “tells of the battle between the Noiseman monster that robs the people of music and controls the town, and the boys and girls who have been freed from the noise spells by the truth of music” and I’ve no means to say otherwise as it’s approach to narrative is “impressionistic”. What I can say is that it’s held me captive each time I’ve watched it and it’s a wild, colorful ride. It’s also only available below until the 17th of March 2023 so go watch now!
I may do more of these, I may not. Let me know in the comments or with your likes.
The Raggedyman
Night Of The Demon (1957)
Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.
This week
Dana Andrews said prunes
Gave him the runes
And passing them used lots of skills

It’s American name is “Curse Of The Demon” so I’m not calling it that.
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