And now for a film that was made in 1983, made almost no impact in it’s native Japan, and is only now doing the round because someone was offered the 16mm print in 2022 and then Marty McFiles spent two years doing a fansub of it. It’s an hour long, it’s got some of the most hilariously realistic disappointing sex scenes in cinema, and it’s a delight of strangeness.
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To avoid any possible confusion, it needs to be made clear that this is a comedic pastiche of two genres that seem to have a near infinite canon: Hallmark style Christmas romance movies and budget horror’s trading off the Amityville name. I’ll leave you to decide which one is a bigger scourge on the psyche of mankind (mostly because I can’t make my mind up on the answer) and give the general warning that all such films need. Simply put; unless you are versed in the content being parodied you may not get all the jokes that are trying to be told, and just think it’s the cheap, formulaic junk that’s being sent up.
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This was a short and low effort movie, so I’m going to be doing the same for the review. Hopefully you’ll also be as amused as I was watching the film, and the title will also have grabbed your attention. Ironically, it took me longer to write and upload this blog post than it did for William Beaudine to make the film.
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Sir Arthur Conan Doyle wrote the novel this is based off, because not everything can be about weaponizing an academic’s neurodiversity, and it’s fitting that the person who invented the Lost World genre got his story into the first monster movie. Not only does it help explain the complexity and depth of the characters, in the text if not in the movie, but also how this ended up being a key part of pop culture itself. This begot King Kong, which begot Godzilla, which begot every sci-fi technician for from 1955 to 1970, which bigot visual effect you’ve seen since. And, obviously, Jurassic World Dominion. On balance, I think we have to give him a pass for that…
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This was watched because it looked like a cheesy mix between a vampire movie & Cocoon and because John Saxon always adds a touch of class to a movie. The trailer was that kind of uninspiring middle-of-the-road schleppy that can sometimes be the snuggly sci-fi horror blanket you need.
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Starting up another season of suffering through a horror movie franchise,, we watched the incredibly good Hellraiser.
Here’s our selected thoughts on it
And here’s our full watch-along commentary.
The full list of sessions is at the Paul & Andrew Watch All Of tab above, or here on Facebook, so please consider joining us for some deliciously painful fun.
I appreciate that time has passed since this novelty film came out, but I’m going to talk about it anyway as I absolutely loved it I want to get some thoughts out of my head about it. Firstly, I want to say that it is incredibly good fun if you go into it with the right “this is an absolute piss-take of a film that considers reality to only have value if it adds to the gag”. It’s also an incredibly mind-melting experience to watch it when the person behind you is apparently convinced that it’s a documentary and is vocally complaining that the audience laughing at the comedic over-violence is being grotesquely disrespectful. Honestly, I didn’t know if I should laugh harder at them or the movie.
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This had an enigmatic title, came from a noted Italian genre director, is being marketed under the normal quite crazy Shameless banner, and had a synopsis that sounded rather spicy. So as I was in the mood to try out something with a bit more European flavour than normal, and it didn’t look like yet another giallo slasher, it was worth a punt.
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Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.
This week
Dana Andrews said prunes
Gave him the runes
And passing them used lots of skills
It’s American name is “Curse Of The Demon” so I’m not calling it that.
Because “Why not?”, and as it makes picking viewing easier, Trash Or Treasure is going through every movie in “Science Fiction – Double Feature”, the opening song for that trash culture classic The Rocky Horror Picture Show.
This week
Anne Francis stars in (ooh-ooh-ooh) Forbidden Planet
Trash or Treasure 