And now for a film that was made in 1983, made almost no impact in it’s native Japan, and is only now doing the round because someone was offered the 16mm print in 2022 and then Marty McFiles spent two years doing a fansub of it. It’s an hour long, it’s got some of the most hilariously realistic disappointing sex scenes in cinema, and it’s a delight of strangeness.
Continue reading →