Flesh Eater (1988) – The Night Of The Living Dead origin no one needed

If there is one thing zombie movie fans love, it’s watching the living being eaten alive to sate the hellish appetites of the undead hordes and their own, carnal sensibilities. If there is a second thing they like, it’s often having an interesting backstory behind the film and bit of vintage to its creation. This is possibly it’s due to the production tribulations and copyright problems of the touchstone work of the genre, The Night Of The Living Dead (NOTLD), or maybe it’s because, until recently, aficionados were considered the creepy cousins to more wholesome things like Vampires, Werewolves, and serial killers and needed something else to talk about between themselves once the delicate and nuanced plot variations of “and then they ate everyone!” have been chewed over. Whatever it is, 1988’s Flesh Eater (AKA Zombie Nosh and Revenge Of The Living Zombies) wears it’s rather curious pedigree on it’s chest, like the proud winner of Six Degrees of George A Romeo, due to being Produced, Directed, Written by, Edited, and Staring The Bill Hinzman!
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Dune (1984)


Dune was supposed to be “The Next Big Thing”, a film to financially rival the Star Wars trilogy based on a book that rivaled The Lord of The Rings for how much it changed the landscape of the genre and how many copies it shifted. Directed and written by the arthouse newcomer David Lynch (his third movie as director), helmed by legendary producer Raffaella De Laurentiis (daughter and student of the also-legendary producer Dino De Laurentiis), it had a budget of around $40 million, a soundtrack by Toto with the main theme by Brian Eno, a cast of renowned part-actors, and a run time of over two hours. It had the author’s blessing, the studio backing, and the fan bases’ eager anticipation. It was going to start a new dynasty of cinema epics, launch a thousand toys and tie-ins, and print money beyond the backer’s wildest dreams!
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